As Zee 5's Duranga releases, here's looking back the original show, Flower Of Evil, which starred Lee Joon-gi and Moon Chae-won.
In one of the best chase scenes of Flower Of Evil, Ji-won chases Hyun-so at night, unaware that it is actually her husband that she is following. Unfortunately in Duranga, the dialogues are reduced to cringe-inducing lines where Ira tells Abhishek, “Main instalments mein mar rahi hoon” and that she feels guilty because she could not protect him—-completely undoing the complexity of such a character. The haunting beauty of Flower Of Evil was its ability to keep you on your toes with the romance as well as the riveting, knotted mystery. Gulshan’s Abhishek just seems to act in a rather suspicious manner, and in his effort to remain constrained, he just occasionally appears rather wooden even when he is playing the perfect husband and father. Drashti Dhami, in her attempt to remain calm and under control throughout, is unable to fully convince viewers of her character. She loves her profession as a policewoman and is quite the tough cop at work—though the strain starts showing, when she realises that her husband is linked to the serial killer that she is hunting. In the original show, Lee Joon-gi’s Hyun-soo looks at YouTube tutorials to learn how to smile, in a scene that has some impact. On the other hand, Moon Chae-won’s Ji-won is a cheery woman with little quirks that flesh out her character—such as gently bragging about herself to an exasperated husband. Of course, in the first episodes we are also inclined to wonder whether he is actually a psychopath — till slowly, we put the pieces of his past together, along with Ji-won. The artificiality is stripped away; there is an urgency to come to grips with reality. Flower Of Evil is filled with many such scenes where the pain of the characters and their emotional turbulence felt visceral. But, at that point, none of that matters and she just knows one thing — she needs to save him.
Cast: Gulshan Devaiah, Drashti Dhami, Divya Seth Shah, Rajesh Khattar, Barkha Bisht. Director: Pradeep Sarkar, Aijaz Khan. Rating: 3 stars (out of 5).
There is obviously a great deal of ground that is left to cover and that is made amply clear by the tantalising note on which the series ends A couple of people are brutally killed in the course of the nine episodes, but many more are merely alluded to as Sammit plays a risky cat-and-mouse game with the police, his life partner and an estranged elder sister (Barkha Bisht). Turns out that the two men have a shared past. In one scene, before the two get married, the man confesses that he has "a past". But the fear of more murders isn't laid to rest. His audaciously camouflaged existence is fraught with danger to say the least and requires constant effort in order to be sustained.
Duranga is the Indian remake of the South Korean series Flower of Evil. The series, starring Gulshan Devaiah and Drashti Dhami, premiered on Zee5 on August ...
And now, Abhishek is also accused of killing the head of the village. However, their lack of chemistry makes the show a bit bland. Duranga is engaging but isn't as good as the original. The son of a serial killer accused of murder who is married to a cop. Meanwhile, evidence finally leads Ira, who is also diligently investigating the murder, to her husband, making him the prime suspect. Duranga, as the name suggests, is all about duality and deception.
Cast: Gulshan Devaiah, Drashti Dhami, Abhijit Khandkekar, Kiran Srinivas, Rajesh Khattar, Anupriya Patel, Barkha Bisht & ensemble. Creator: Goldie Behl.
You don’t even have to watch entire Flower Of Evil to know that Duranga is partially a scene to scene copy at many points. The base in itself is so dramatic that the added drama ends up making it all look like a daily soap. The opening in itself is a mystery and no time is wasted in setting up the universe by giving break to the more shocking events. Remakes aren’t criminal, but the lethargic approach that they bring majority of the time is. They do try their best to induce the flavour of the new landscape and even make it look organic and not forced. Add to it the fact that apart from Gulshan, everybody else is a well established name in the Television Industry, it only makes it harder to process. The writers shape her as a woman who handles both, the uniform and the house. The bubble is popped and you now are supposed to live with the question why till the end. He takes YouTube tutorials to smile and it is a very interesting angle. The storytelling technique that Sarkar and Khan use are quite close to the original but with the Indian touch to it. Until one day a murder leads her to him and breaks the house of glass. Backed by Goldie Behl and directed by Pradeep Sarkar and Aijaz Khan, the Indian remake takes up the task to crunch the 16 episode long show into 9.
Directors: Pradeep Sarkar and Aijaz Khan. Cast: Gulshan Devaiah, Drashti Dhami, Abhijit Khandkekar, Zakir Hussain and Amit Sadh. IANS Rating: **. Whenever ...
On the technical front, the series manages to do a decent job. When you have two brains working on putting together a series like this, the least expected for the series is to be engaging throughout its course. The cinematography offers nothing new and follows textbook shots only to be bogged down by the lacklustre editing. It follows a series of murders and unearth's the past of the show's lead played by Gulshan. While there are few instances where the series does engage the viewer, it comes across as a drag for most part. Charudutt Acharya's writing is inconsistent as it fails to hold the audience's attention for a long time.
Duranga Zee5 Series Review: Gulshan Devaiah and Drashti Dhami lead the Indian remake of Flower of Evil, one of 2020's hit K-dramas.
The show takes in the best of the original and tries to patch them together. While this offers something new to people who have not watched Flower of Evil, it is a tad off-putting for the ones who’ve seen the original. But for fans who have watched the show, regardless of loving it or not, I’d recommend giving this remake a skip. Hopefully, there is more for him in the second season. In an attempt to tick all the boxes, the show doesn’t let you invest in any of them. Individually, Devaiah and Dhami shoulder the show well. During the investigation, Ira learns that while the particular case in the investigation was a bad copy of the original killings, there is someone out there trying to revive the serial killings in the city. Another thing that works for Duranga is their decision to break the series into two halves. It is a welcome move for the series and gets the viewers hooked almost immediately. Duranga, like the Flower of Evil, is packed with twists and turns. While Ira is an ace officer in a Mumbai Police branch, Summit opts for a simpler life — doubling up as an artist and an at-home husband. Monsoon of 2020, South Korean actors Lee Joon-gi and Moon Chae-won had the world going weak on their knees with the Flower of Evil.
Directors: Pradeep Sarkar and Aijaz Khan. Cast: Gulshan Devaiah, Drashti Dhami, Abhijit Khandkekar, Zakir Hussain and Amit Sadh. IANS Rating: **. Whenever ...
On the technical front, the series manages to do a decent job. When you have two brains working on putting together a series like this, the least expected for the series is to be engaging throughout its course. The cinematography offers nothing new and follows textbook shots only to be bogged down by the lacklustre editing. It follows a series of murders and unearth's the past of the show's lead played by Gulshan. While there are few instances where the series does engage the viewer, it comes across as a drag for most part. Charudutt Acharya's writing is inconsistent as it fails to hold the audience's attention for a long time.
Duranga is supposedly an adaptation of the K-drama Flower of Evil. It's safe to say you'd be better of watching the original.
Follow us on [also read] [Entertainment](https://www.firstpost.com/category/entertainment) [Once Upon a Cinema: The golden voice of Amirbai Karnataki](https://www.firstpost.com/entertainment/once-upon-a-cinema-the-golden-voice-of-amirbai-karnataki-11022191.html) While that might be closer to fact, there is simply no character to the surroundings, just as there is no contribution of Mumbai, the city, to the show’s progress or setting. It’s almost as if the creators are in a rush to tell us this story is far more complicated than we think, without letting the story do it for us. Not everything in Duranga is a miss, but it is one largely kamikaze act of destroying promising source material. Duranga is the story of a sociopath trying to live a normal life. Even the parts where Devaiah manages to summon some withheld secrets to perpetuate a history of grief are presented with clunky, racy transitions that resemble a kind of mindless devotion to the surface of a story, instead of what it carries underneath. Unfortunately, its largely the tumorous external growth that is visible as opposed to the handful of moments that carry some emotional heft. [Duranga ](https://www.firstpost.com/entertainment/drashti-dhami-on-duranga-there-were-times-i-would-be-lost-in-my-scenes-and-gulshan-would-help-me-11072921.html)is the kind of true-crime/romance procedural that neither sends the heart racing nor the mind meandering down shadowy alleys of misdirection. Devaiah is then forced to look shadowy, inaccessible and whisper in the kind of monotone that when not reminiscent of introverts is supposed to imply a murderous history. This little nugget of information the series throws in your face right at the start. It is instead a blunt, almost dated adaptation of a K-Drama that treats streaming as the site where all refuse can still be quantified as usable matter. It’s safe to say you’d be better of watching the original.