Samaritan

When Sylvester Stallone returned to his iconic role of Philly boxing underdog Rocky Balboa seven years ago in director Ryan Coogler's rousing, ...

But Samaritan finally comes roaring to life in its final half hour, with a simultaneously bonkers and fairly clever plot twist, as well as a spectacular, extended climactic brawl in a multi-story warehouse that works overtime to compensate for the preceding hour and change’s meager lack of action. He stages Joe’s dazzlingly choreographed attack on Cyrus’ gang with a verve that one wishes was more evident earlier, and Stallone becomes more energized in this final stretch too, snarling with badass conviction and tossing off the kind of one-liners commonly found in his ’80s and ’90s action vehicles (“Have a blast!” he quips after tossing a grenade at one baddie). You know I’m built like a tank!”), as well as bizarre actorly touches (Joe habitually scarfing down ice cream is at least explained as a way to cool down his body’s unique overheating tendency, but why he’s seen pouring apple juice into a bowl of Cheerios at one point instead of milk is anyone’s guess). Disappointingly, this first demonstration of Joe’s extraordinary fighting abilities is one of only two extremely brief Stallone-centered action scenes offered up in the first two-thirds of the film. [Samaritan](https://www.avclub.com/film/reviews/samaritan-2022), though, is that it’s not adapted from a comic book; writer Bragi F. When Sylvester Stallone returned to his iconic role of Philly boxing underdog Rocky Balboa seven years ago in director Ryan Coogler’s rousing, beautifully crafted reboot Creed, scoring a Best Supporting Actor Oscar nomination for his performance, it served as a reminder of certain movie stars’ magical ability to stay within a narrow range without sacrificing depth or complexity.

Find out how you can watch Sylvester Stallone play a superhero in Samaritan, where it's streaming, what it's about, and more.

[Super](https://collider.com/tag/super/): A pitch-black comedy about a regular man who decides to become a superhero, Super stars [Rainn Wilson](https://collider.com/tag/rainn-wilson/) (Dwight from The Office) as Frank. [“first look” for the movie](https://collider.com/samaritan-teaser-sylvester-stallone-prime-video/), showing both scenes from the film and also some interviews with the cast and crew. [Defendor](https://collider.com/trailer-for-defendor-starring-woody-harrelson-elias-koteas-sandra-oh-and-kat-dennings/): Another darker take on the superhero genre, Defendor stars [Woody Harrelson](https://collider.com/tag/woody-harrelson) as a vigilante known as (you guessed it) Defendor. Based on the graphic novel by [Alan Moore](https://collider.com/tag/alan-moore/), Watchmen is the story of a group of superheroes and their all too human flaws and failings. He also plays Stan in [Season 3 of The Umbrella Academy](https://collider.com/tag/the-umbrella-academy-season-3/). [Stakar Ogord in the Guardians of the Galaxy franchise](https://collider.com/guardians-of-the-galaxy-3-set-image-sylvester-stallone/). Sam is bewildered as to why this superhero would seemingly give up on the city and choose to let everyone think he’s dead. His young costar, Javon “Wanna” Walton, is best known for playing Ashtray in [Euphoria](https://collider.com/tag/euphoria). Samaritan’s director, Julius Avery was the writer and director behind 2014’s Son of a Gun and the director of 2018’s Overlord. It shows the world of Granite City largely from Sam’s point of view and focuses on his discovery that his neighbor Mr. His young neighbor Sam, played by [Javon “Wanna” Walton](https://collider.com/umbrella-academy-season-3-javon-wanna-walton-interview-euphoria/), quickly suspects his identity though and tries to persuade him to once again step up to save Granite City. In the new film [Samaritan](https://collider.com/samaritan-release-date-trailer-cast-everything-we-know-so-far/), The Italian Stallion stars as the eponymous retired superhero who is trying to keep a low profile as his city falls to ruins around him.

Sylvester Stallone doesn't seem thrilled to be playing a superhero in Samaritan, a hodgepodge of non-ideas borrowed from better movies.

[Defendor](/articles/2010/04/15/defendor-dvd-review), [Super](/articles/2011/04/01/super-review), or [Kick-Ass](/articles/2010/03/12/kick-ass-review-3)), but it has no whimsy about itself, no perspective on the genre, and nothing to say about the moral dimensions it constantly harps on in its dialogue. You may have figured it out just by reading the premise, which isn’t a problem in and of itself, but there’s nothing more to it than the matter of what Joe may or may not have done in the past. Samaritan and Nemesis, who briefly appear in flashbacks, are broad stand-ins for childlike notions of good and evil, but the stray lines of dialogue hinting at further complexity may as well be billboard advertisements reading: “Depth: coming soon.” In Samaritan, the superhero-as-police analog isn’t so much a deconstruction of the Avengers, and other protectors of status quo, as it is an excuse to manufacture opposing sides for mind-numbingly staged action scenes lacking any sense of “oomph” (let alone any sense of comprehensibility). Others, like local gangster Cyrus (Pilou Asbæk), with his Nemesis tattoos, believe Samaritan to have been a protector of the rich and powerful, while Nemesis was a fighter for the people. But his societal revolt has about as much grounding in reality as [Kendall Jenner’s Pepsi commercial](https://www.youtube.com/watch?v=uwvAgDCOdU4&ab_channel=YashYadav). Schut) is filled with textures and perspectives it has no idea how to wield, mashing them into a hodgepodge of non-ideas borrowed from other, better movies, both in the superhero genre and in pop culture at large.

The superhero film also stars Javon Walton and Dascha Polanco in pivotal roles. Samaritan is available on Amazon Prime Video. When Sylvester Stallone headlines ...

However, this isn’t a lot to save the film from falling into the traps of becoming a cliche-ridden action film. Dressed in a hoodie and working a regular day job, the kid is convinced that Samaritan is his, the guy who collects trash. Even after decades of being around and throwing those punches, the actor's sheer presence evokes interest in a project because he’s part of the storyline.

New movies streaming or in theaters this weekend: Idris Elba is magic in 'Three Thousand Years of Longing,' Sly Stallone's a superhero in 'Samaritan.'

Olivia and pal Izzy (singer Chlöe Bailey) start using Jane's social media to punish classmates and college competition, which does a number on Olivia's mental state. Adkins growls and curses up a storm in this seabound B-movie as a boat captain out to murder a shark when it starts feasting on tourists. 16) She's invited to a posh wedding in the English countryside, where she's wooed by the manor's suave lord (Thomas Doherty). Come for the cringe humor and comic culture, stay for Matthew Maher's delightfully unhinged performance as the kid's manic, oddball mentor. Daniel Zolghadri plays a middle-class New Jersey teen who drops out of school and lives in squalor in order to find his identity as a cartoonist. ["Rocky"](https://www.usatoday.com/story/entertainment/movies/2020/06/08/narrator-sylvester-stallone-best-revelations-40-years-rocky-new-documentary/3150268001/) star still makes an effective action hero. Williams as a police negotiator connecting with the vet on a soldier-to-soldier level. His architect wife Maya (Regina Hall) takes them for spring break, a suddenly solo Sonny reconnects with his best bud Huck (Wahlberg) for one of his over-the-top birthday celebrations, and the situation gets disastrously out of hand. Stallone plays an aging man thought to be a superhero by a teen in an Amazon Prime action thriller, Hart and Wahlberg are best friends who get into a load of trouble in a Netflix comedy, and [John Boyega](https://www.usatoday.com/story/entertainment/movies/2020/12/02/john-boyega-red-white-and-blue-speaking-out-against-racism/6420259002/) has one of his most dramatic roles in a true-life crime thriller. Sonny (Hart) is a stay-at-home dad and PTA president who has no life outside his two kids. She's heard this cautionary tale before, but the two form a bond as he weaves sprawling tales of his past, including his great loves.

Sylvester Stallone's Samaritan is coming to Prime Video this week, marking the first time the superstar has taken a starring role in a superhero movie.

"In this particular case, [Samaritan] had an issue that is so personal, that he couldn't face the facts, and that's why he disappeared. The actor, whose characters in movies like Rocky, Rambo, and Demolition Man have long bordered on the superhuman anyway, took the opportunity of headlining Samaritan and used it to humanize and de-mythologize the concept of the superhero a bit. The movie is a gritty, darker take on superhero universes than fans might be used to after a decade of Marvel Cinematic Universe dominance, and it seems like that's what attracted Stallone to the role.

Prime Video action thriller, "Samaritan" tells the story of a pair of twins who were born with superhuman strength. They were branded as freaks by the.

In the present, the elderly Joe reveals to everyone, especially Cyrus, that he isn’t Samaritan. Joe has a run-in with Reza and his gang, and the fact that he’s a superhero becomes public knowledge. So, Cyrus ramps up his plan to cause a blackout and kill Joe in the process before he gets to do the same to him. A young Joe pulls off his mask (in the flashback, of course) to reveal that he’s the one who survived the fight. That inadvertently works out, because when Joe comes to Sam’s house to return his watch, he realizes that Cyrus has kidnapped him and taken him to his headquarters. The reason why he dislikes Samaritan is that he thinks that he was a cop who protected the rich and let the poor die. After seeing Cyrus capture and kill a cop, Sam realizes that his big plan is to cause a blackout in Granite City, much like the one Nemesis caused by fighting Samaritan at the power plant. He takes Sam hostage because he knows that Joe has a connection with him. And with the rise of a new Nemesis in the form of Cyrus (Pilou Asbæk), it remains to be seen if Sam is right, and Joe is going to save the city, or if he’s just some troglodyte. Joe notices this from the bus he takes to the pawn shop on a daily basis and decides to interject. That said, the way Joe keeps avoiding any discussion about Nemesis is a dead giveaway that Sam’s theory is a little wrong. Over two decades after that incident, a boy named Sam (Javon’ Wanna’ Walton) thinks he has found Samaritan, and it’s the old dude Joe (Sylvester Stallone) living in the building in front of him.

There are so many holes in Samaritan's screenplay that the movie needs to move faster than it does if it is to outrun them.

It even has a twist that you should be able to predict during the opening credits, and the film doesn’t even do anything useful with that potentially interesting development. His evil is so over-the-top he feels ported over from “ [Robocop 2](/reviews/robocop-2-1990).” The way Sam feels about Samaritan is the way Cyrus feels about Nemesis, so much so that he wants to emulate him and destroy Granite City. Then, of course, there’s the scene in the trailer where Joe gets smashed to bits by a car driven by the folks he just beat up, and his body fixes itself. [Austin Butler](/cast-and-crew/austin-butler)’s Elvis from that [Baz Luhrmann](/cast-and-crew/baz-luhrmann) movie to hop over to Amazon from pay-per-view so he can stroll down the street singing “In the Ghetto.” This place is also crime ridden, with Sam committing petty theft with teenagers who work for the evil Cyrus ( [Pilou Asbæk](/cast-and-crew/pilou-asb%C3%A6k)). The bombastic score by [Kevin Kiner](/cast-and-crew/kevin-kiner) and [Jed Kurzel](/cast-and-crew/jed-kurzel) is just obnoxious and overbearing enough to almost convince you that this overwritten origin story should be taken seriously. Schut](/cast-and-crew/bragi-f-schut)’s screenplay, and to the animators who bring it to life.

Kevin Hart and Mark Wahlberg are old buds reconnecting in "Me Time," Sylvester Stallone is maybe a former superhero in "Samaritan" and Idris Elba is a Djinn ...

In theaters. Meanwhile the Djinn tells her the long version of his origin story, which can feel as long as the movie's title. "Mad Max" mastermind George Miller tells the story of a genie in a bottle in "Three Thousand Years of Longing," starring Tilda Swinton as a narratologist who frees a Djinn (Idris Elba) but is hesitant to make her three wishes. Granite City needs a superhero, and they get one — maybe — in the form of Joe Smith (Sylvester Stallone), an anonymous looking city dweller whom young Sam (Javon Walton) believes may be Samaritan, former protector of the city streets. "Overlord" director Julius Avery doesn't break the mold here, but he tells a grounded story that forgoes capes, tights and most hallmarks of today's superhero extravaganzas. Kevin Hart is a straight-laced dad and Mark Wahlberg is a loose cannon bachelor in "Me Time," a brutally unfunny buddy comedy, which makes no attempt to ever connect to anything resembling reality.

Fresh off new sequels saying "Goodbye, but also not goodbye" to Rocky and Rambo, Sylvester Stallone stars in an aging-superhero movie that seems designed to ...

Is Sam genuinely conflicted between taking up a life of crime and doing the right thing, mirroring the way Granite City’s citizens are divided between Samaritan and Nemesis? On top of the narrative confusion, the tenuous, distant spatial relationship between Sam’s original post and the interior of the hideout makes it seem nearly impossible for anyone to hear him whistling a warning, even if he could. The few moments in Samaritan that do recall more recent superhero movies are still a bit offbeat: Cyrus (Pilou Asbæk), the younger maniac who wants to claim the mantle of Nemesis for himself, sports both a philosophy and a coat that recall the Dark Knight Rises version of Bane. The movie’s superpower is the ability to inspire a litany of distracting questions in almost any scene, no matter how simple. Granite City owes more to the industrial decay of comics movies like The Crow — though it’s equally indebted to local-news scaremongering that depicts any and all cities as cesspools of crime, on the brink of total anarchy. The premise has an appealing directness, laid out in an illustrated prologue: Granite City was once the home of two brothers with superhuman strength and endurance, dubbed Samaritan and (sigh) Nemesis.

Stallone cannot redeem 'Samaritan's many flaws, but he can still make it worth watching for those willing to look past a generic superhero story.

In the end, Samaritan’s most irredeemable crime is being bland in a market oversaturated by superhero media. Stallone has a knack for playing big brutes with a heart, the kind of character who knows they can easily win a fight, but still prefers to hold their punches and use their heads. And if the surprise is not mandatory to make a story pleasant, Samaritan fails to explain why the twist happens, undercutting all emotional weight it might have had. There are badly-placed exposition scenes to explain the rules of the fictional Granite City, who the major players in the movie are, and how superpowers work in this universe. Promising yet another gritty and dark take on the genre, Samaritan sadly fails to bring anything new to the table, turning an inventive concept into a generic superhero story. While Marvel still dominates the superhero market, every other studio still tries to get a piece of this very profitable cake by constantly releasing movies and series about superpowered people.

And though he has appeared in a few superhero movies in recent years, Stallone hasn't led a comic book adaptation since the 1995 adaptation of Judge Dredd. That ...

Starr, who got his break as Bill Haverchuck on the [Freaks and Geeks cast](https://www.cinemablend.com/television/2562464/what-the-freaks-and-geeks-cast-is-doing-now) back in 1999, has continued to find success on the small screen, with appearances on Party Down, Drunk History, and Silicon Valley, to name only a few. [treacherous Euron Greyjoy](https://www.cinemablend.com/television/2471795/why-one-game-of-thrones-actor-specifically-pushed-to-have-character-die-offscreen) on the [Game of Thrones cast](https://www.cinemablend.com/television/2490856/game-of-thrones-what-are-the-cast-members-doing-now) in the HBO fantasy series’ final few seasons, quickly establishing himself as one of the show’s most evil villains. Though she doesn’t have quite as many credits to her name as other members of the Samaritan cast, Tatum has been part of some major projects in recent years. And don’t forget to check out our guide to all the other When he's not writing about movies or television, Philip can be found being chased by his three kids, telling his dogs to stop yelling at the mailman, or yelling about professional wrestling to his wife. His film credits include everything from voice roles in the likes of Despicable Me 2, Astro Boy, and The Secret World of Arrietty to live-action films including Ender's Game, The King of Staten Island, The Stanford Prison Experiment, Pitch Perfect 3, and Blast Beat. Starting things off is Sylvester Stallone himself, who takes on the role of a former superhero who reluctantly gets back in the crime-fighting game after an encounter with a young boy in trouble in Samaritan. During that same stretch of time, Polanco has landed roles in movies like The Cobbler, The Irishman, In the Heights, and most recently, DC League of Super-Pets, in which she voiced Green Lantern. Though this is first time playing a traditional superhero since taking on the titular role in 1995's Judge Dredd, Stallone has made appearances in Guardians of the Galaxy Vol. This includes major roles on The Assassination of Gianni Versace: American Crime Story, Russian Doll, and When They See Us, to name a few. And though he has appeared in a few superhero movies in recent years, Stallone hasn't led a comic book adaptation since the 1995 adaptation of Judge Dredd. That all changes with Samaritan, Julias Avery's Amazon original movie, which sees Stallone take on the role of a retired masked vigilante who reluctantly comes out of the shadows.

It is a rather declarative way of ending a film but given the film's late narrative twist, it is also a neatly pulled-off message. But cinema isn't just the ...

Follow us on [also read] [Entertainment](https://www.firstpost.com/category/entertainment) [Lionsgate Play has set the release date for the second seacon of the drama series P-Valley as 2nd September](https://www.firstpost.com/entertainment/lionsgate-play-has-set-the-release-date-for-the-second-seacon-of-the-drama-series-p-valley-as-2nd-september-11114411.html) This is simply Stallone of old, trying to recapture those glorious years alongside a bunch of half-baked actors who neither supply the film with agency or energy. That late reveal feels unearned because the very things that make an ageing superstar fascinating in the context of a superhero film, are erased from the script. Perhaps the only thing that works for Samaritan, is the casting of Sylvester Stallone, the ageless action hero as an old, in-hiding superhero who is, we are told too late in the film, also afraid of himself. Even after the obvious is revealed, the mentor-protégé relationship that we see coming from a distance hardly has the kind of chemistry that Stallone is known to channel with younger actors before. It has no pulse, no sense of purpose and little of its own to say about the cult of the hero or just why we continue to watch these films. Of course it has been clear all along, ever since the trailer for the film released that Stallone is the superhero out of commission. All that promise, and yet, Samaritan can’t become the story it so obviously could have. He is also an old man, an aspect of his character that the film does a poor job of exploring. These people have a vague plan to reprise the Nemesis brand and take back the city – to what effect, it is never discussed. But cinema isn’t just the messaging, but also the craft of leading you through a journey that makes the message palatable, even if unexpected. A fight to the end, we are told in the prologue, ended with the death of Nemesis.