Chhello Show

2022 - 10 - 13

the last film show the last film show

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Image courtesy of "Telegraph India"

Team the Last Film Show aka Chhello Show on their film (Telegraph India)

Even as it gears up to showcase itself internationally with an eye on the Oscars, The Telegraph chatted with director Pan Nalin and producers Siddharth Roy ...

(Laughs) I went to watch Muqaddar Ka Sikandar at Roxy and I was distraught at the end of it. And then the news of the Oscar entry arrived, and I was thrilled and excited that the jury had unanimously voted for our film. I was obsessed with him and there was a phase when he would die at the end of every film, especially in the ’70s. (Laughs) I was quite clear that this was the film I wanted to make. We wanted more and more people to watch the film so that there would be a conversation around it. Among many other things, The Last Film Show is about the magic of cinema. We didn’t want The Last Film Show to be a film that people only discovered on the day of its release. The Last Film Show happened because I finally had a desire to tell my story. I got involved with the film at the stage where they were looking at how to take the film out to the world. I remember telling him that I wanted the rights to his life story. For the films that I have made in the past, I have always looked for wider distribution in India. I just knew this was a film I wanted to be involved with and I am glad that we are being able to take it to the world in the way that we are.

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Image courtesy of "WION"

Chhello Show review: A visually rich and heartwarming love letter to ... (WION)

Pan Nalin's 'Chhello Show' or 'The Last Film Show' is an ode to Indian cinema. Several filmmakers over the years have paid tribute to the magic of movies in ...

The climax of the film is thought-provoking and emotional making 'Chhello Show' a winner in the true sense. You want to cheer for Samay, you want to know how things will pan out for him and you are equally fascinated by the way he discovers cinema and falls in love with the medium. Nalin's film - as he claims himself- is autobiographical in many ways as it captures his own growing up years in the interiors of the west Indian state loving and absorbing cinema. His love for cinema makes him learn the art of projection- a dying medium in 2010 and also redundant now. Once inside the theatre, Samay is naturally engulfed in the magical world of cinema. Several filmmakers over the years have paid tribute to the magic of movies in their own way in India as well as worldwide.

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Image courtesy of "The Hindu"

'The Last Film Show' (Chhello Show) movie review: A dreamy ... (The Hindu)

India's entry to the Oscars is filmmaker Pan Nalin's love letter to cinema, which earnestly captures the evolution of the art form and the magic of dreams.

In this short scene, the film speaks a lot about how we look at cinema and the film industry. It's no news that the world of films is looked at as elitist, and people with silver-screen dreams are looked at as fantasists chasing an endless mirage. From Samay's very name to the background of the family and the history of events that led to the father opening a tea shop, everything is told at its own pace and most of these details eventually prove vital in the story's progression. There’s another bigger narrative that Pan carefully weaves right from the beginning, and that speaks of the democratic nature of stories and how ironically a society that innately likes to tell stories looks down upon cinema. After stealing a piece of film from the theatre, Samay converts a train coach into a makeshift camera obscura to project film from a tiny hole in the window. With tender frames, the film pulls us into the world of Samay (Bhavin Rabari), a young boy from Chalala village in Gujarat, who lives with his father (Dipen Raval), mother (Richa Meena) and younger sister.

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Image courtesy of "DailyO"

Chhello Show review: India's official Oscar entry is a moving tribute ... (DailyO)

Chhello Show AKA The Last Film Show is a Gujarati coming-of-age dramedy that began trending last month after it was announced as India's official Oscar ...

No matter how positively it was received universally, RRR is still a ‘masala movie’ that might not match the general standards of the final five Oscar nominations in the Best International Feature category (most of which are arthouse film festival darlings). No matter how many times he beats him with a stick, Samay continues to bunk school and “binge-watch” in the projector room. Even though Bapu is a mere tea-seller, he is hooked to his Brahman caste identity, going on to say that a low occupation such as filmmaking will bring his caste shame. But mimicking Amitabh Bachchan, delivering monologues on cinema, or just dancing like a Sufi saint with the projector light serving as his halo, Fazal turns into a delightful supporting character who is equal parts eccentric and majestic. When the theatre staff brands him as a freeloader and kicks him out, he befriends the projectionist Fazal with an amusing business offer. But as he dwells in the small railroad town of Chalala, watching films is an exercise in itself.

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Image courtesy of "Scroll.in"

'Last Film Show' review: A misty-eyed ode to the magic of cinema (Scroll.in)

Pan Nalin's Last Film Show is set in 2010 in a town in Gujarat and located somewhere between the aching nostalgia of Cinema Paradiso and the DIY spirit of ...

Nalin’s misty-eyed ode to cinema clears in the moment when reality strikes Galaxy, and Samay. While Last Film Show is a bit sketchy on where it stands in the analogue-versus digital debate, there’s no doubt about what it achieves. Catalysed by a mythological movie showing at Galaxy, the only cinema hall in his town, the nine-year-old boy falls captive to the magic of light and shadows. Nalin’s screenplay proceeds as a series of episodes that are held together by Samay’s irresistible combination of passion and canniness. That this analogue world is going to disappear is evident from the very name of the wide-eyed, long-haired and stick-legged hero. A friendship with Galaxy’s projectionist Fazal (Bhavesh Shrimali) helps Samay enter the hallowed box from where rays of light strike the screen.

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Image courtesy of "NDTV"

Chhello Show Review: Visually Arresting, Emotionally Engaging ... (NDTV)

Cast: Bhavin Rabari, Bhavesh Shrimali, Richa Meena, Dipen Raval, Paresh Mehta, Vikas Bata, Rahul Koli, Shoban Makwa, Kishan Parmar, Vijay Mer, ...

His father is in danger of being forced out of work owing to a move that threatens to render the tea stall redundant. As the films playing in Amreli's Galaxy theatre unspool, Fazal teaches Samay how to mount reels on the projector and splice torn strips of film. The latter takes Samay under his wings in return for the finger-licking, lip-smacking food that he brings from home. Her exceptional culinary skills - she has an array of traditional recipes in her repertoire - help Samay gain access to the movie hall's sanctum sanctorum that Fazal the projectionist (Bhavesh Shrimali) lords over. The film revolves around the encounters and adventures that shape the boy's imagination. [Chhello Show](https://www.ndtv.com/entertainment/oscars-2023-chhello-show-is-indias-official-entry-3362166) does rest on the young protagonist's bond with a projectionist, but the film goes well beyond that aspect of the plot.

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Image courtesy of "Lehren Networks Private Limited"

Review | Chhello Show - Paradiso Abridged & Gujratified (Lehren Networks Private Limited)

Chhello Show is a Gujarati drama film directed by Pan Nalin. It stars Bhavin Rabari, Bhavesh Shrimali, Richa Meena, Dipen Raval and Paresh Mehta.

The projector gives way to the digital, life is a recycling process. Swapnil S Sonawane catches Ma’s cooking with the loving lens of a foodie. But while Paradiso was a full nine-course meal that had World War, absentee dads, yearnings, changing times, compulsions, romance, family bonds and lost love running alongside the complete passion for cinema, Pan Nalin’s is a smaller film that tiptoes only around Samay, Fazal and cinema reels.

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Image courtesy of "The Indian Express"

Chhello Show movie review: A steeped-in-nostalgia story about love ... (The Indian Express)

Chhello Show movie review: The film, India's official entry to the Oscars, does manage to focus on change as an inexorable part of life.

In return for being able to spend his day at the cinema, the time he is meant to be at school, home-cooked food becomes barter. Samay (Bhavin Rabari), bright-eyed and inquisitive, wants more than just being an assistant to his father, who runs a tea-stall at the village railway station. ‘Chhello Show’, or ‘ [The Last Film Show](https://indianexpress.com/article/lifestyle/health-specials/oscar-nominated-chhello-show-rahul-koli-death-child-leukaemia-india-8202940/)’, is also meant to be a semi-autobiographical tale of the director Pan Nalin, whose journey from a remote Saurashtra village to a creator of images is reflected in the movie.

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Image courtesy of "ThePrint"

Compelling, simple, magical—Gujarati film Chhello Show deserves ... (ThePrint)

Rajamouli's global blockbuster RRR and Vivek Agnihotri's box-office hit The Kashmir Files for India's entry to the 95th Academy Awards or Oscars was no child's ...

The film, a personal, moving tale of admiration for cinema is endearing and deserves to be celebrated regardless of its performance at the Oscars. In a year where major projects like Laal Singh Chaddha and Shamshera have failed to bring audiences to theatres, Chhello Show reiterates the power of compelling writing and mesmerising stories. But Pan Nalin’s Gujarati film Chhello Show—The Last Film Show in English—slowly pierced its way through, surprising many to become the jury’s favourite.

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Image courtesy of "Lifestyle Asia"

Chhello Show review: India's Oscar entry is emotionally rewarding ... (Lifestyle Asia)

Rajamouli's RRR, Academy Awards, Pan Nalin's directorial Chhello Show, or the Last Film Show has been caught up in controversy off lately. The film has released ...

While all the child artists in the film have given an enthralling performance there’s one child actor who couldn’t live to see the glory of his film on the big screen. The film chronicles a boy’s path to the magical world of lights, camera, and film projection room. In fact, Deepika showering love on the lead child actor of the film went viral. Little to say that the kid is mesmerised with the art of filmmaking. While critics are hailing it as a gem of a movie, the audience’s reaction is yet to be gauged. [RRR](https://www.lifestyleasia.com/ind/culture/entertainment/rrr-can-still-win-at-oscars-know-how/), Academy Awards, Pan Nalin’s directorial Chhello Show, or the Last Film Show has been caught up in controversy off lately.

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Image courtesy of "अमर उजाला"

Chhello Show Review: सिनेमा के जरिये आशा और मासूमियत का मेल, नौ ... (अमर उजाला)

गुजराती में छेलो का मतलब अंतिम होता है इसलिए इसे 'छेलो शो: द लास्ट फिल्म' का नाम दिया ...

Chhello Show Twitter Review: गुजरात की छेलो शो ने जीता दिल, राहुल ... (दैनिक जागरण)

Chhello Show Twitter Review भारत की तरफ से ऑस्कर 2023 के लिए आधिकारिक एंट्री फिल्म छेलो शो लंबे वक्त ...

फिर किस आधार पर यह फिल्म ऑस्कर नॉमिनेशन के योग्य है?" फिल्म से नाखुश एक यूजर ने कहा, "फिल्म छेलो शो एक भारतीय फिल्म नहीं है। यह फिल्म सिनेमा पैराडाइसो की कॉपी है। निर्देशक दावा कर रहे हैं कि यह एक गुजराती फिल्म है, लेकिन यह गुजराती भाषा में नहीं बनी है और भारत में रिलीज भी नहीं हुई! छेलो शो को शानदार बताते हुए एक यूजर ने फिल्म को विजुअली रिच और भारतीय सिनेमा को दिल को छू लेने वाला लव लेटर कहा।

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Image courtesy of "आज तक"

Chhello Show Review: जानें- कैसी है ऑस्कर के लिए भारत की ऑफिशियल ... (आज तक)

छेलो शो गुजरात के एक छोटे से गांव चलाला में रहने वाले नौ साल के बच्चे समय (भाविन रबारी) ...

मां के रूप में ऋचा मीना ने गुजरात के गांव की कुकिंग के सुर को बखूबी पकड़ा है. फिल्म देखने के दौरान यह एहसास नहीं होता कि आप थिएटर में हैं बल्कि लगता है कि आप उस गांव और उस दुनिया में पहुंच गए हैं. वहीं बा यानी के मां (ऋचा मीना) का खाना बनाने के तरीके की डिटेलिंग भी कमाल की रही है. अपर क्लास के गरीब व बेबस पिता के रूप में दीपेन रावल ने अपने किरदार को ईमानदारी से निभाया है. फिल्म की हर एक डिटेलिंग इस बात की गवाह है कि उन्होंने हर एक फ्रेम को अपने इमोशन से सराबोर होकर शूट किया है. रिश्वत के रूप में फजल को खाने का लालच देकर समय थिएटर के प्रॉजेक्शन बूथ में एंट्री कर लेता है. दरअसल, उन्होंने अपने बचपन की कहानी को सिल्वर स्क्रीन पर उकेरने की कोशिश की है. खैर, फिल्म को देश की तरफ से ऑस्कर के ऑफिसियल नॉमिनेशन में भेजा गया है. हालांकि फजल से सीखी चीजों से समय अपनी गैंग संग मिलकर टूटी साइकिल, परदे, बल्ब, मिरर जैसी कई चीजों का इस्तेमाल कर अपनी दुनिया वाली थिएटर बनाने की कोशिश में लग जाता है. फिल्म का बैकड्रॉप उस वक्त का है, जब प्रॉजेक्टर के जरिए फिल्मों को थिएटर पर दिखाया जाता था. बिना टिकट के फिल्म देख रहे सयम को जब थिएटर से बाहर निकाला जाता है, तो उसे साथ मिलता है, सिनेमा प्रॉजेक्टर चलाने वाले टेक्निशियन फजल (भावेश श्रीमाली) का. Chhello Show Review: हमारे देश में ऐसे कई तमाम इंडीपेंडेंट फिल्म मेकर्स हैं, जिन्होंने सिनेमा के प्रति अपने प्यार को स्क्रीन पर उतारा है.

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Image courtesy of "पंजाब केसरी"

Chhello Show Review: दिल को छू लेगी नौ साल के बच्चे के सुनहरे सपनों की ... (पंजाब केसरी)

निर्देशक पैन नलिन ने फिल्म को वास्तविकता के करीब रखने का काफी अच्छा प्रयास किया है।

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Image courtesy of "The Lallantop"

फिल्म रिव्यू: छेल्लो शो (The Lallantop)

सिनेमा के प्रति गाढ़े प्रेम की कहानी, जो आपका सिनेमा की ताकत में भरोसा मज़बूत करती है. pic.

समय की तरह फज़ल को भी सिनेमा से प्यार है. ऋचा मीना फिल्म में समय की मां बनी हैं. जैसे ये दर्शाने की कोशिश की हो कि भले ही समय रोशनी के पास पहुंचने में लगा है. समय की तरह उसे भी सिनेमा से प्यार था. सिनेमा की ताकत की कहानी है. फिल्म में खाने को फिल्माया भी उतनी ही सुंदरता से गया है. समय और सिनेमा के बीच का ब्रिज था. समय भूखा है सिनेमा का और फज़ल भूखा है अच्छे खाने का. खाना समय और फज़ल के बीच का ब्रिज था. समय की दुनिया बदलती है. लेकिन फिल्म खत्म होने तक असली भक्त सिर्फ समय बनता है. ये पूछने पर जवाब मिलता है कि शहर में ‘जय महाकाली’ फिल्म लगी है.

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Image courtesy of "Cinema Express"

Chhello Show Movie Review: Pure in its emotion but slips in its ... (Cinema Express)

India's Oscar entry is a visual treat but dabbles between an artist's expression and his indulgence.

The way Samay and his coterie of young cinephiles look at the sun with their hands curved into a scope is a shot worth cherishing. A Brahmin, and a Muslim laughing, relishing a meal with a film playing in the background. There are others too: the children looking at a pride of lions waiting for them to leave; them lying on the grass, looking at the sky through a film reel or Samay looking at a film from a small window in the projector room. Bhavesh Shrimali as the projectionist Fazal, whom Samay bribes with food in exchange for free movie watching, has the most entertaining and adorable scenes. He is in awe of the pictures on screen, the fluttering pigeons on the wall fans (in an interview with me, Pan Nalin told that as a child, when he first saw the zoom-in on the face of Goddess Kali in the film, he got petrified and hid under the bench). It is about the passage of time.

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