Everything Everywhere All at Once

Anissa E. Salazar and Michelle Chung, "Everything Everywhere All at Once"s hair and makeup department heads, break down Jobu's looks.

The orange triangles under Jobu's eyes and the orange on the very tip of her nose call to mind a twist on clown makeup. "Basically, at this point, everything's coming out — she's wearing all her wardrobe at the same time," said Chung. "She actually still loves her mom so much, and [this look] was for this scene where she's so angry while talking to her mom," explained Chung. The hearts and glittery moons strike up a fun juxtaposition with Jobu's all-black ensemble — and her harsh actions throughout this scene. "So I use a lot of hearts to show her love and tears to show her sadness." When it came to the rest of K-pop Jobu's hair, which is held back with a series of fun, colorful clips, Salazar was inspired by Japanese Harajuku style. "And this was our opportunity." The "b" presented the biggest challenge, although Salazar was able to nail it with Chung's help on-set. "That was one of the first times we really see [Jobu], so I wanted to have a big impact," said Chung. "That was part of the conversation with Daniels. Chung's makeup here is one of the many instances of Chung, Kurata, and Salazar's intertwined collaboration process — something Chung described as "organic." From there, Salazar immediately knew that her hair would have to have the glitz and glam to match.