The Fabelmans

2023 - 1 - 25

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Image courtesy of "Vulture"

Joyce Carol Oates Sure Tweets About The Fabelmans a Lot (Vulture)

'Blonde' author Joyce Carol Oates has tweeted at least a dozen times about her distaste for Steven Spielberg's films, especially 'The Fabelmans.

[Meryl Streep’s casting](https://www.vulture.com/2023/01/meryl-streep-only-murders-in-the-building-season-3.html) in the next season of Only Murders in the Building. But instead of seeing it as a complex way for the character — and Spielberg by extension, given the movie’s [memoirish backstory](https://www.hollywoodreporter.com/movies/movie-features/steven-spielberg-paul-dano-michelle-williams-interview-the-fabelmans-1235253097/) — to cope with hardship, Oates [said](https://twitter.com/JoyceCarolOates/status/1608100114307981312) it turned the filmmaker into “slavish flatterer.” [remarkably mediocre](https://twitter.com/JoyceCarolOates/status/1613212719385088026)” and likened it to “a sequence of made-for-TV scenes w/ exaggerated acting” and “inane dialogue.” The only scene she liked was the one with David Lynch playing John Ford, though at least we can all agree that is the best scene. [began](https://twitter.com/JoyceCarolOates/status/1607404423168270343) on December 26 when she wrote, “The Fabelmans is certainly a surprising film … Oates doesn’t think of her tweets as “engraved in stone,” as she [told Bustle](https://www.bustle.com/entertainment/joyce-carol-oates-blonde-twitter-babysitter) last year. But after six decades of dark, bold books that made her a literary lion, a secondary gig as the most banal form of train wreck modern society has to offer — the hyper-online troll — feels like a step down. She accused Nicole Kidman and Tom Cruise of being “ [miscast](https://twitter.com/JoyceCarolOates/status/1609221780551438336)” in the “ [labored, strained](https://twitter.com/JoyceCarolOates/status/1609236266368786432)” Eyes Wide Shut. Everything Everywhere All at Once is the “ [most tedious](https://twitter.com/JoyceCarolOates/status/1540871359613571074)” and “ [worst pretentious film](https://twitter.com/JoyceCarolOates/status/1540871799860232192)” she has ever seen. [called Oates’s apparent grudge](https://puck.news/an-oscar-oops-and-the-most-mysterious-campaign/) “the biggest Oscar eyebrow-raiser this season.” I asked a Netflix awards strategist whether anyone associated with Blonde encouraged Oates to tweet about The Fabelmans, but he didn’t respond. She may be in the minority, but Oates isn’t alone in disliking The Fabelmans, and her assessment is as fair as any other. Oates retweeted someone demanding she [congratulate de Armas](https://twitter.com/keitherpuss/status/1617901697560645637).) Or has Oates just been Twitter-pilled like so many of us, convinced that her thoughts must be heard all day and every day? [overrated](https://twitter.com/JoyceCarolOates/status/1611064934653386752)” because his films feel too artificial.

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Image courtesy of "The Scotsman"

Film reviews: The Fabelmans | All the Beauty and the Bloodshed ... (The Scotsman)

Steven Spielberg's largely autobiographical coming-of-age-story, The Fabelmans, is an astonishing feat of filmmaking verve, writes Alistair Harkness.

She outlines this in the opening scenes of Laura Poitras’s newly Oscar-nominated documentary All the Beauty and the Bloodshed, a film that functions initially as a smartly put together primer on both Goldin’s incredible body of work and her latter-day campaign to force the art world to stop accepting money from the Sackler family, whose fortune has been tarnished by its long association with the opioid crisis in America. It’s an astonishing feat of filmmaking verve and Spielberg doesn’t go easy on himself either – but what we end up with is a truthful portrait of a prodigious talent acquiring the life experience that will one day elevate his craftsmanship into art. But as indicated by the title, The Fabelmans is also a work of fiction and without getting too meta about it, he gradually transforms the latter stages of his adolescence into an ultra-slick, ultra entertaining teen movie that also manages to acknowledge and explore the fallout from his family’s disintegration and the casual antisemitism he experienced in high school. In The Fabelmans we see a natural born filmmaker reckoning with his gift; a teenage virtuoso realising that no matter how well he’s able to use his extraordinary instincts to orchestrate the reality he thinks he wants, life – to paraphrase another Spielberg blockbuster – will always find a way to infiltrate and complicate things. The director may be God and have the whole world in his hands, but Spielberg understands that film has the power to reflect, reveal, define and control life in ways that aren’t always harmonious and, in fact, are sometimes downright dishonest and harmful. It’s an appropriately profound and psychologically scarring experience, the sort the real Spielberg will inflict on future generations with Jaws and ET, but here we see it informing his sensibility as this kid takes in the traumatic and thrilling spectacle of a dramatic train crash unfurling on the big screen.

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Image courtesy of "Little White Lies"

The Fabelmans review – Sweet but never cloying (Little White Lies)

Steven Spielberg weaves a tale about his childhood love of cinema and the relationship between his parents in this light but lovely mostly true story.

Meanwhile, bored by her suburban life and an absent husband, the flighty Mitzi gifts Sammy his creativity, but is presented as an intermittent presence in his life – one that perhaps Spielberg even now doesn’t fully understand. It does feel reminiscent of that film, or the likes of American Graffiti – it feels important to note that one of Sammy’s bullies is literally a jock called Chad. So too are the scenes of Sammy and his friends creating their own movies – homemade war epics and westerns. Now it’s the turn of Steven Spielberg, who charts his coming-of-age in Arizona and the dissolution of his parents’ marriage as counterpoint to his blossoming relationship with cinema. This might be the understatement of the century as Sammy is forever transformed by the experience, and when he returns home, all he wants to do is recreate what he saw on the screen. For a director whose entire career has engaged with the concept of storytelling and mythmaking, it’s fitting he would finally tackle his own life with this same playful perspicuity.

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Image courtesy of "Yahoo Singapore News"

Is The Fabelmans a true story? Exploring the history of Steven ... (Yahoo Singapore News)

(from left background) Producer Kristie Macosko Krieger, co-writer/producer/. Co-writer/producer/director Steven Spielberg on the set of The Fabelmans. (eOne).

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Image courtesy of "digitalspy.com"

The Fabelmans is Steven Spielberg at his most Spielberg (digitalspy.com)

The Fabelman family is rounded out by Paul Dano as Sammy's father Burt and Michelle Williams as his mother, Mitzi, a role for which she has been nominated for ...

The triumph of the ordinary person who becomes extraordinary is Spielberg's whole thing, and so in turning the lens on himself, why would we expect anything different? Again, it isn't a fault but it does soften the narrative edge that you expect the movie to have. Still, The Fabelmans is — unsurprisingly — beautifully filmed and written (Tony Kushner, Spielberg's longtime collaborator, served as co-writer). Sammy is our lens, and as the magic of childhood and youthful naivety begins to dissipate the story becomes more real, the stakes higher. That isn't to say the film is boring — it is a Spielberg film, after all. In reality, the film doesn't devote as much time to this theme as the

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Image courtesy of "Goldderby"

How to watch The Fabelmans online (Goldderby)

“The Fabelmans” received seven nominations at the 2023 Oscars, including Best Picture, Best Director for Spielberg, and Best Original Screenplay for Spielberg ...

Due to the critical acclaim “The Fabelmans” has received, it’s highly possible the film could win an Oscar. At the Oscars, “The Fabelmans” received seven Oscar nominations. Released in November 2022, “The Fablemans” stars Gabriel LaBelle, [Michelle Williams](https://www.goldderby.com/t/michelle-williams/), [Paul Dano](https://www.goldderby.com/t/paul-dano/), Seth Rogen, and Judd Hirsch. [Steven Spielberg](https://www.goldderby.com/t/steven-spielberg/) waited decades to tell his personal story with “ [The Fabelmans](https://www.goldderby.com/t/the-fabelmans/)” — and the result is an awards windfall. As it is distributed in the U.S. The DVD, Blu-Ray, and 4K UHD release date is February 14, 2023, so it’s possible it will stream after that date.

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Image courtesy of "The Irish Times"

The Fabelmans: An immaculately performed portrait of Steven ... (The Irish Times)

The freshly Oscar-nominated director crafts an impressive, thinly disguised autobiographical exploration of familiar Spielbergian themes.

That tension between art and science is a tad on the nose, but there is so much else going on here – even in such a long film – that we scarcely have time to object. It’s a very naked film’](https://www.irishtimes.com/culture/film/2023/01/21/tony-kushner-on-the-fabelmans-theres-no-alien-showing-up-its-not-world-war-ii-its-a-very-naked-film/) ] He shoots a documentary on the beach that looks forward… The boy later shoots a reconstruction of the train crash in the film on his dad’s movie camera. For that matter, do you need a grasp of Spielberg’s career – allusions to the hits abound – to appreciate the meaty heart of this exquisitely honed film? The film concerns fracturing families in unfashionable parts of the American interior.

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Image courtesy of "The Guardian"

The Fabelmans review – Spielberg's beguiling ode to a life made by ... (The Guardian)

The director's 1950s-set semi-memoir brilliantly examines how we edit our own life stories, and the repercussions.

And as for the ultimate art of editing, I also wonder if Spielberg ever envisaged a barmitzvah scene for the film that he then cut? He is more furious than if he had been made to look stupid: to his astonished humiliation, he can see that Fabelman has transcended him, surmounted him, utterly exceeded him in the great race of life with his own complex artistic generosity. I wonder if the real Spielberg ever got to confront his mother as directly as Sammy manages to. But more importantly, Sammy captures proof of his mother’s illicit relationship with Bennie by noticing them holding hands in a corner of the frame; he removes these incriminating scenes from his film, showing his folks only the Super-8 picture-perfect version and confronts his mother later with this secret R-rated cut. But one of his bullying jock tormentors is stunned to see how flatteringly he has been filmed. The one movie legend Sammy eventually does get to meet in the flesh is John Ford, played here by another movie legend that it would be unsporting to reveal in a wonderfully funny and inspirational final scene.

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Image courtesy of "Radio Times"

How to watch The Fabelmans in the UK (Radio Times)

Steven Spielberg's semi-autobiographical film The Fabelmans has racked up seven nominations at this year's Oscars, but how can film fans in the UK watch it?

The synopsis continues: "Sammy Fabelman is devoted to filmmaking, an interest that is celebrated and championed by his artistic mother, Mitzi. [subscribe now](http://radiotimes.com/magazine-subscription?utm_term=evergreen-article). However, that is about to change. How to watch The Fabelmans in the UK? At the moment, The Fabelmans is not in wide release in the UK, and is only currently available to watch in limited London cinemas. How to watch The Fabelmans in the UK

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Image courtesy of "iNews"

The Fabelmans review: One of Steven Spielberg's most beautiful films (iNews)

The beloved director of E.T. and Jaws, now approaching 80, looks back at a loosely fictionalised version of his own life. This image released by Universal ...

With all its self-awareness, its anguish and its beauty, The Fabelmans is a film that it is surely impossible not to love. But The Fabelmans leaves plenty of air for other concerns: the slings and arrows of adolescent girlfriends or school fights with bullying antisemites. Mr Fabelman is played with wistful sincerity by Paul Dano, who nails the temperament of the man-in-a-gray-flannel-suit generation, but it’s that mother-son relationship that provides much emotional heft in the film.

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Image courtesy of "Evening Standard"

The Fabelmans movie review: Steven Spielberg's origin story is a ... (Evening Standard)

Michelle Williams dominates in a film that proves that the legendary director can do small and CGI free, as well as action blockbusters.

For me, torn-in-two Mitzi’s the best of a brilliant bunch. Jewish mother-of-four Mitzi, is married to shy, attentive Burt (Paul Dano on superb form), whose job as a computer engineer keeps uprooting the family. [Michelle Williams](/culture/film/oscars-2023-nominations-academy-awards-who-will-win-should-win-b1055344.html) (snubbed by Bafta voters, but up for a Best Actress Oscar) one of the most delicious roles of her career.

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Image courtesy of "Yahoo News"

Is The Fabelmans a true story? Exploring the history of Steven ... (Yahoo News)

(from left background) Producer Kristie Macosko Krieger, co-writer/producer/. Co-writer/producer/director Steven Spielberg on the set of The Fabelmans. (eOne).

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Image courtesy of "The Observer"

The Fabelmans: Spielberg at the peak of his powers (The Observer)

One year removed from his masterful re-imagining of “West Side Story,” legendary Director Steven Spielberg returns with a deeply personal story about his ...

Spielberg could retire after this with a perfect bow on the top of his career. This was one of the best films of 2022. The film is amazing, and one of my favorites of 2022. Sammy’s filmmaking endeavors are incredibly endearing to watch and when things are going well for his character, the movie reflects that and shifts to a far lighter tone. Notably, in “E.T.: The Extra-Terrestrial,” the missing father-figure is a major element of the emotional strings that tie the movie together. Not only in the situations that involve his parents but also in how it affects day-to-day life, relationships and mental health.

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Image courtesy of "Screen Rant"

The Fabelmans Ending Explained (In Detail) (Screen Rant)

The Fabelmans is the latest and most personal film from legendary American director Steven Spielberg, and its ending leaves much to think about.

One of the most telling scenes in The Fabelmans is when Mitzi and Burt reveal to the family that they are getting a divorce. It reveals that this is the moment The Fabelmans is all about, and this is the driving force behind all of Spielberg’s films: divorce. It’s a very meta moment as viewers see Sammy directing throughout the film, but the camera tilt shows that it’s Spielberg who’s been behind the camera the whole time. [60 Minutes](https://www.cbsnews.com/news/spielberg-a-directors-life-reflected-in-film/) interview with Spielberg and his parents, he shared that he had always blamed his dad's workaholic tendencies for their divorce, even after he’d learned the truth about his mother’s affair. Spielberg was 19 when his parents divorced, though, in the film, the Fabelmans announced their divorce to their children just before Sammy’s high school senior prom. Sammy had been invited to the studio to work on the upcoming sitcom Hogan’s Heroes, which is not actually how Spielberg had started his career, suggesting that he had a bright future ahead of him. Spielberg has had a long and storied career and is considered one of the greatest directors of all time. [Seth Rogen’s best movies](https://screenrant.com/seth-rogens-best-movies-superbad-fablemans/), and through his performance, it’s easy to understand why she is missing his presence in her life. His parents’ divorce has provided Spielberg with plenty of inspiration that can be seen through films throughout his career, especially in The Fabelmans. The final shot of The Fabelmans is one that feels instantly iconic. The affair ended when the family moved from Arizona to California, leaving Bennie behind, but that wasn’t the end of their story. Though not a direct biopic, The Fabelmans is largely inspired by Spielberg’s youth, his family, and his development as a young filmmaker.

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Image courtesy of "Spectator.co.uk"

Cheesy but full of love: The Fabelmans reviewed (Spectator.co.uk)

There can't be anyone anywhere who hasn't somehow been touched by a Steven Spielberg film. Some of us, for example, haven't dipped their toe into the sea ...

There are laughs to be had with Monica (Chloe East), Sammy’s first girlfriend, who is a fervent Christian – ‘Jesus is sexy!’ – but even she is a proper character. His father is predictable and his mother is not – she will drive into a tornado; she will suddenly purchase a pet monkey – but both are portrayed with equal affection. And so the fire is lit. The film is Cecile B. The film is directed by Spielberg who co-wrote the script with Tony Kushner. It’s about family, and the complexity of family, and it’s intensely personal, moving, absorbing and full of love.

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Image courtesy of "Financial Times"

Five stars for The Fabelmans — Spielberg's Oscar-nominated ... (Financial Times)

Michelle Williams is terrific in a richly insightful movie about the mysteries of parents and cinema.

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