Your Place or Mine movie review: Reese Witherspoon and Ashton Kutcher make for an easy pair to root for, but Netflix's new rom-com puts itself in a cage of ...
For starters, Brosh McKenna has Debbie and Peter spend almost the entirety of the movie in separate cities, united only by her frequent use of the split-screen and cross-cutting. For most of its run time, it feels like Your Place or Mine has completely forgotten that it is a Netflix rom-com at all. And while Debbie and Peter’s near-constant use of technology gives the movie a contemporary edge (and perhaps an added layer of relatability), nothing can replace the feeling of being in the same room with another person and feeling the energy shift, as you watch the air become thick with electricity and tension, buzzing in anticipation about who will make the first move. But a lack of winky self-awareness notwithstanding, Brosh McKenna understands the value that two good-looking leads can bring to a movie like this. Your Place or Mine could have turned into a story about a self-centred man who discovers that there’s more to life than empty hook-ups and a rebellious attitude when, like Hugh Grant in About a Boy, he is given the responsibility of taking care of a human child. Cut to the present day; she’s a single mother who wants to make up for lost time by taking a course in New York, and he’s a wealthy consultant who has settled into a lone-wolf lifestyle.
Scheduled to spend a week in New York getting a degree that will advance her career, Debbie abruptly loses her babysitting, at which point Peter gallantly steps ...
Brosh McKenna clearly knows her way around the genre (her writing credits also include “27 Dresses”), as do her stars. But those awkward red-carpet photos weren’t the only part of this exercise that didn’t quite work, whatever place one happens to watch it. Despite a fleeting history described as a “hookup,” Kutcher’s Peter and Witherspoon’s Debbie have been platonic friends for 20 years. While that has worked out before (think “Sleepless in Seattle”), it doesn’t here, in a Netflix movie that proves roughly as generic as its title. Then again, the movie is as much about real estate as romance, as well as the familiar question of paths taken and not chosen. Written and directed by Aline Brosh McKenna of “Crazy Ex-Girlfriend” renown (who also produced along with, among others, Witherspoon and Jason Bateman), “Your Place” hinges on Peter and Debbie learning to appreciate each other’s differences – she’s a stickler for routine, while he’s free-spirited, or “irresponsible” in her eyes – through their house-swap experiences.
Clearly the journey is always more important than the destination when it comes to romantic comedies, but there's barely a twist or detour or even a pothole ...
[Tig Notaro](/cast-and-crew/tig-notaro). (Seriously, name a Cars song, and it’s in this movie, including “ [Drive](/reviews/drive-2011)” while Peter is ... [Wesley Kimmel](/cast-and-crew/wesley-kimmel)). Split screens show that Debbie lives in a cluttered and colorful Los Angeles Craftsman while Peter lives in a sleek and spacious Brooklyn condo overlooking the Brooklyn Bridge. Even though they live across the country from each other, they still talk every day in some form, and while their conversations are breezy, they lack a believable spark. McKenna also wrote the far superior Oscar nominee “ [The Devil Wears Prada](/reviews/the-devil-wears-prada-2006).” Her latest film never comes close to reaching those heights in terms of sharp dialogue or richly drawn characters, but it also isn’t aiming that high.
Director: Aline Brosh McKenna · Cast: Reese Witherspoon, Ashton Kutcher, Wesley Kimmel, Steve Zahn, Jesse Williams, Tig Notaro, · Runtime: 109 minutes · Storyline: ...
In a film that is supposed to be about love and romance, the audience is never given a chance to gauge the leads’ chemistry. The leads of the film spend most of their time in two different cities and the split screen plays spoilsport with the romantic tension. In the process, they open their lives to each other and the audience.
If you decide to settle in and watch 'Your Place or Mine' to see the sparks fly between Reese Witherspoon and Ashton Kutcher, you'll be initially ...
The film builds to — finally! The film allows Witherspoon and Kutcher to show off their naturally funny sides, especially when they’re fishes out of water. A last-minute emergency triggers the film’s central action: Witherspoon needs to fly to New York but her childcare main option flakes, so Kutcher’s character decides to go to Los Angeles as backup.
Netflix is currently streaming Your Place or Mine. Starring romantic comedy virtuosos Reese Witherspoon and Ashton Kutcher, the film, which was shot in New ...
As per reports, the spot where Debbie meets Theo (Jesse Williams) in Your Place or Mine is located at 649 South Olive Street in Los Angeles. It was filmed at the Openaire restaurant in Los Angeles. One can also spot popular places like Montague Street and Everit Street featuring in a few scenes in the Aline Brosh McKenna directorial. The boroughs of Manhattan and Brooklyn have been extensively covered in Your Place or Mine. On October 2 of the same year, Witherspoon posted a few behind-the-scenes photos shot in Montague Street, Brooklyn (NYC), on Instagram, effectively confirming that the shooting had commenced. The film with the tagline of “Two Lives.
Everything about Your Place or Mine is as unimaginative and hackneyed as its corny title. Starring Reese Witherspoon and Ashton Kutcher in lead roles, ...
And of course, Zoë Chao, who gives a sparkling performance as Minka, Peter’s high-society ex, who for some curious reason, gets deeply invested in Debbie’s state of affairs. From the love story to the sterility of Peter’s posh Manhattan apartment and the way Debbie’s week pans out in NYC, all of it feels staged and forced. If only it was half as beautiful or awe-inspiring in spite of the monotony. Witherspoon plays Debbie, a single mom in Los Angeles obsessed with hyper-parenting her 13-year-old son Jack (Wesley Kimmel). Everything about Your Place or Mine is as unimaginative and hackneyed as its corny title. Starring Reese Witherspoon and Ashton Kutcher in lead roles, it is available for streaming on Netflix.
Netflix's new modern-day rom-com "Your Place or Mine" was filmed in Los Angeles and New York City. It features a Dumbo apartment and a home in Echo Park.
“We wanted the New York section to be a really strong element because so much is about Debbie’s journey to New York and how those experiences reawaken her,” director of photography Florian Ballhaus said in the brief. Debbie’s house, found by location manager Veronique Vowell, is located in L.A.’s Echo Park neighborhood at the top of a 100-step hillside walkway. Special effects supervisor Ron Bolanowski and his team constructed the people mover from scratch. [New York City](https://www.housebeautiful.com/lifestyle/a36902116/what-to-do-in-new-york-city/) and [Los Angeles](https://www.housebeautiful.com/lifestyle/a36803484/what-to-do-in-los-angeles/) have long been the backdrops of [iconic rom-coms](https://www.housebeautiful.com/lifestyle/entertainment/a41922230/falling-for-christmas-netflix-filming-locations/). Another pivotal location in the film is LAX. He added: “It’s a very hip and trendy place, which Peter would be attracted to.
Aline Brosh McKenna on making 'Your Place or Mine' starring Reese Witherspoon and Ashton Kutcher film and potential The Devil Wears Prada sequel.
In a funny way, I am that wide-open person that I was in my early 30s. Someone left a pizza in the oven for so long that mold was growing out of the box and onto the grills. I’m old enough that I saw the good old days, and I can tell you that there are upsides now. It was a great experience for the first thing I ever shot. So it’s about following the trends in the business and about figuring out who you could put on your dance card who wants to dance that same mambo. Everything has changed so rapidly that the business needs to adjust to where we are now. But I was talking to someone the other day and he said, “I see your work as coming-of-age movies for adults.” I asked him if I could tuck that in my pocket, because that is how I see it. In a 2019 interview, you praised the “sky’s the limit” approach of TV over the corporate nature of film. I had a writing partner, Jeff Kahn, and we had a pilot called Young Americans for Disney and Fox. They’re why I fell in love with the movies I fell in love with. But there are some where I just handed over the script, hoping for the best. The movies that made me want to be a writer were the ones starring Irene Dunne and Cary Grant, Spencer Tracy and Katharine Hepburn, Henry Fonda and Barbara Stanwyck.
The Tamil heist thriller Thunivu is at the top of our list, and it's one of three new Netflix releases this week (including a rom-com with Ashton Kutcher and ...
This musical biopic follows the story of Whitney Houston’s rise to fame in the 1980s as one of her generation’s most talented singers. and it wants them to come upstairs. The ambiguity of the film’s terror, which depends much more on sensation than explicitly scary figures or monsters, grabbed some viewers by the throats. A celebrated documentarian, this is Diop’s first narrative feature, following a writer who attends the trial of a woman accused of murdering her child. Corsage also won Best Film at the London Film Festival, among a bevy of other wins and nominations on the festival circuit. Director Michelle Garza Cervera’s feature debut is a horror movie about a woman who has dreamed of being a mother, only to suspect something is off once she is finally pregnant. Krieps was a co-winner at Cannes under the category Un Certain Regard - Best Performance, and director Marie Kreutzer was also nominated at Cannes. In the movie, the gang reunites to take on a gigantic company called Amazin, run by a guy named Neil (Peter Serafinowicz). Sara (Laura Galán), an overweight teen who works behind the counter of a butcher shop, is bullied by a clique of local girls. note: Pete] be watching this weekend?” you have found your answer. This rom-com is about two friends who have very different lifestyles and swap houses and lives for a week. The Tamil heist thriller Thunivu is at the top of our list, and it’s one of three new Netflix releases this week (including a rom-com with Ashton Kutcher and Reese Witherspoon).
In preparation for playing two book lovers in 'Your Place or Mine,' Ashton Kutcher and Reese Witherspoon were given reading assignments.
And sometimes that brings you to realizing you shouldn't be a people pleaser, which is 27 Dresses. That idea that it's people going through something and sometimes that brings you to a zoo. We didn't have a lot of runway between the walkway and the end of the stage. In terms of rediscovering each other, the ember is also this dream of what they were going to be when they first met when they were in their 20s. But I think all of the movies, including Prada and Crazy Ex, always come down to the human emotion and what is underneath that. What you choose to do when you first enter the world is probably the purest form of your aspiration. Because it's about adults, because it's grown up, because it has scale, it felt really right for it to be the first movie I directed. ALINE BROSH MCKENNA: I went to New York to work on a movie and I needed a place to stay that was relatively inexpensive. Adds McKenna to EW: "I didn't know that Ashton would read all of the books I gave him. The other great thing about having been a showrunner was the years that I spent working so closely with actors and having my creative partner being an actor. One of them had an inscription to someone named Peter, so I decided that was Peter's book that she had kept when he moved." "With Reese, I gave her a bunch of books that I felt like Debbie had collected over the years — some first editions, some beat-up paperbacks.
Aline Brosh McKenna's ('The Devil Wears Prada') cross-country Netflix romcom shouldn't work given the leads' lack of sparks, yet has a strange charm.
Or if the characters were older — maybe that’d make it easier to buy into the idea that these two people are already so sure of what they want out of life, so experienced in the ritual of being let down by more titillating flings and affairs, that settling down with someone familiar might make noble sense. And Your Place or Mine is worth watching for that alone, this iron-willed commitment to the premise in full defiance of what the characters are actually giving us. Here she is, look at her go: showing up to her seminar with a backpack and new school supplies, practically huffing the scent of a newly-sharpened pencil, being all wide-eyed and adorably game for the joys of life, being completely absent of any kind of cynicism. When she and Williams’s publisher get to prattle their way through a handful of cute scenes, the movie finally lands on something: a counterargument. [romance](https://www.rollingstone.com/t/romance/) to watch! And then the backstories kick in and Your Place or Mine, which runs nearly two hours, gets distracted, pretending that it’s as worthwhile to watch Debbie chatting it up with Peter’s fab, New Yorkey ex as it is watching Peter try to play dad to Debbie’s perfectly well-adjusted teen. Your Place or Mine offers us a full-blown case for reverting back to the anodyne safety and security of the familiar, no matter the substantial downsides. When Your Place or Mine opens, Debbie and Peter get the split-screened, made-for-each-other visual gags familiar from old Doris Day and Rock Hudson comedies, those cutely twinned shots of each of them lying in bed reading at the same time, bathing at the same time, ritualistically in sync in ways neither of them fully realizes. Played, respectively, by [Reese Witherspoon](https://www.rollingstone.com/music/music-country/kacey-musgraves-reese-witherspoon-talk-struggles-for-women-in-country-music-713278/) and [Ashton Kutcher](https://www.rollingstone.com/tv-movies/tv-movie-news/a-closer-look-at-ashton-kutcher-69773/), Debbie and Peter are long-time friends. Debbie’s headed to New York for a week-long seminar (she’s trying to abandon her love of the literary arts in favor of a more practical job that pays more), and it’s supposed to be an occasion for her and her bestie to reunite. Each of these people (one more than the other, owing to a certain unevenness at the heart of the movie) has to choose between the genuine but uncertain chemistry that enters their lives — a real, tactile, tingly sexual spark — or the chance to return to their shared, multi-decade past, to the person that they know will never leave them because they’ve always already been there. He lives in a steely Brooklyn apartment with a view of Manhattan that’s furnished with a stove he’s never used, cutlery that’s never been opened, and a despairing lack of tchotchkes — there is not so much as a photo of himself or anyone he loves in plain sight.
Starring in Your Place or Mine came with a bunch of reading materials for Ashton Kutcher and Reese Witherspoon.
She said, "I gave Ashton books that I thought Peter would have and would have read and have a point of view on." I'm running a company, and I have a full-time other job. I called her, and I said, 'I have three children. I read all of them. He said, "I'm not a very big fiction reader, I don't read a lot of fiction. She continued, "With Reese, I gave her a bunch of books that I felt like Debbie had collected over the years — some first editions, some beat-up paperbacks.
Your Place or Mine is a straight-to-Netflix romantic comedy that reunites two likeable performers, Ashton Kutcher and Reese Witherspoon.
Many of the love triangles, such as Debbie’s and her gardener (Steve Zahn) and Peter’s superficial hook-up interest Minka, are introduced as quickly as they’re forgotten and never spoken of again. This experimentation is foreshadowed by a bizarre opening scene set in 2003, where we’re privy to Peter and Debbie’s first and only one-night stand. Peter befriends a school worker and friend of Debbie’s in LA, while Debbie herself meets one of Peter’s former hookups, Minka (Zoë Chao), in New York, a rather unpleasant figure with almost no endearing qualities. Meanwhile, Debbie struggles to balance her writing course and her life as a single mother. I’m playing fast and loose with the word ‘reunite’ here because Kutcher and Witherspoon aren’t in the same room together for most of the movie. On paper, the film had the potential to be a charming and enjoyable romantic comedy, like No Strings Attached and Friends with Benefits (starring Kutcher’s wife, Mila Kunis).