Awards won by Everything Everywhere All at Once

Three of the actors in the film were awarded a trophy: Michelle Yeoh, Ke Huy Quan, and Jamie Lee Curtis. The film also won the big one: Best Picture. A couple ...

Ke Huy Quan is endearing as a timid but kind husband, who, lacking the hand-to-hand combat skills of his alt-universe counterpart, relies on his determination and genial, inoffensive personality to deal with things. The film also won the big one: Best Picture. Everything Everywhere All at Once emerged as the big winner of Oscars 2023 with an incredible seven wins out of 11 nominations.

The film cleaned up with seven awards, including for Best Actress, which went to Michelle Yeoh, the first Asian woman to win the category. More On: oscars ...

“Everything Everywhere All At Once” stars Ke Huy Quan and Jamie Lee Curtis also became first-time winners Sunday, taking home trophies for Best Supporting Actor and Actress, respectively. Martin, who has Down syndrome and rose to prominence after working as a Starbucks barista, turned 31 Sunday. Brendan Fraser clinched Best Actor for “The Whale,” his first Academy Award win in his 30-year career, and David Kwan and Daniel Scheinert won Best Director for “Everything Everywhere All At Once.”

The official and unofficial winners of this year's Oscars 2023 awards, including Brendan Fraser, Rihanna, A24 and more. Check out the highlight.

2 than she was last month at the Super Bowl halftime, Rihanna performed her Black Panther: Wakanda Forever track “Lift Me Up”—not her greatest hit, by any means, but she looked and sounded terrific, and as a bonus, we got a great reaction shot of A$AP Rocky cheering her on from the front row. A bit on whether or not to include Robert Blake in the “In Memoriam” section.) Overall, Kimmel did what he was supposed to, which is to keep the show moving along as quickly as possible. Brendan Fraser’s best actor win for his performance in The Whale completed the arc of a remarkable comeback story that GQ’s Zach Baron first began documenting in 2018. After a few years of experimentation, including three hosts and no hosts, Kimmel returned to helm the show for the first time since 2018, arriving at the Dolby Theater by parachute, in a Maverick-inspired opening. A24’s multiverse family drama won in all the big categories for which it was nominated, garnering seven total statues and plenty of heartfelt speeches. In between, the broadcast was much like the ceremonies of years past: too long, largely predictable in the awards given, and otherwise unmemorable.

The film won seven Oscars including Best Actress (Michelle Yeoh), Best Supporting Actor (Ke Huy Quan), Best Screenplay, and Best Director for Daniel Kwan and ...

[making one of the greatest comebacks in Hollywood](https://www.prestigeonline.com/my/lifestyle/culture-plus-entertainment/ke-huy-quan-and-everything-about-oscars-2023/), won the Best Supporting Actor award. Keeravani and lyricist Chandrabose made history for India when they won the award for Best Original Song for “Naatu Naatu” from the movie RRR. This is the first win for an Indian film in the category. The first was Black Panther (2018), which won three Oscars including one for Carter for costume design. Sarah Polley won the Best Adapted Screenplay for Women Talking. Yeoh, the [first Asian to win in the category](https://www.prestigeonline.com/my/lifestyle/culture-plus-entertainment/michelle-yeoh-wins-best-actress-award-oscar-2023/), accepted the trophy with an emotional and inspiring speech. The film had a clean sweep at the ceremony, winning in all the categories. Both Jamie Lee Curtis and Stephanie Hsu were nominated in the best supporting actress category. Ngor was the first when he won in 1984 for his performance in The Killing Fields. Of the six nominations, Everything Everywhere All at Once won two Golden Globe awards. The film earned three of the unprecedented four nominations for Asian actors in the acting categories at the Oscars 2023. Everything Everywhere All at Once was the biggest winner at the 95th Academy Awards, or Oscars 2023, on 12 March (13 March MYT).

'Everything Everywhere All at Once' was named best picture at the 95th Academy Awards, capping off an improbable awards season run by winning the movi.

"I started in this business 30 years ago, and this - they certainly didn't come easily to me, but there was a facility that I didn't appreciate at the time until it stopped," Fraser said, acknowledging his career setbacks. Fraser, once an A-list star known for his work in popcorn flicks such as 'George of the Jungle' and 'The Mummy', had spent the last decade changing away from the spotlight dealing with health and personal struggles. "For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibility."

Michelle Yeoh, Jamie Lee Curtis and Ke Huy Quan win top honors at an awards; 'All Quiet on the Western Front' nabs four Oscars; Steven Spielberg leaves ...

It won the trophies for original screenplay, film editing, directing and best picture. [set across multiple universes](https://www.wsj.com/articles/everything-everywhere-all-at-once-redefines-the-multiverse-movie-11649369889?mod=article_inline) won seven total awards, including three of the four acting awards. [all the way to the best-picture Oscar](https://www.wsj.com/livecoverage/oscars-academy-awards-2023?mod=article_inline).

A combination of old fashioned star power and zeitgeisty marketing captured Oscar voters (and audiences) across the board.

By the autumn, it was clear the film had a real shot at the gongs, and A24 set about securing them. Such strategies encouraged the idea of a grassroots push for an underdog. But Tuesday was the last day of voting, and in a tight race, every little helps. It looks like a film from the future and relies for its pull on the past. Yeoh joined in too, and last Tuesday screenshotted an article on her personal account explicitly comparing the career prospects for herself and fellow nominee Cate Blanchett, should each of them prove triumphant. [declaring](https://www.youtube.com/watch?v=rrDekTrJ13o) “Everything has led to this” - the campaign leant heavily on the zeitgeisty lingo which also defines its aesthetic. Gradually the film’s clout snowballed along with its box office, as more and more critics - as well as industry insiders - declared their love. It was almost everything, almost everywhere, over the course of almost four hours. “I cannot imagine a better audience and crowd for this movie,” said c0-director Daniel Kwan as they took to the stage to present it. Word of mouth began strongly from a crowd at fever-pitch excitement, on the opening night of their first in-person festival in years. [Everything Everywhere All At Once](https://www.theguardian.com/film/everything-everywhere-all-at-once) took the top prize this year, victory felt an inevitability. The strategy slowly began to shift.

Brendan Fraser, Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis Myung J. Chun / Los Angeles Times/Getty Images; PATRICK T. FALLON/AFP/Getty Images (2); Kevin ...

[the ceremony a quarter-century ago](https://www.hollywoodreporter.com/movies/movie-features/titanic-oscars-oral-history-1235343150/) at which Titanic was expected to dominate, and did, was and remains the most watched ever, whereas the last two ceremonies, held during the darkest days of the pandemic, when moviegoing was decimated, attracted the two lowest figures ever. [Top Gun’s Tom Cruise](https://www.hollywoodreporter.com/movies/movie-news/tom-cruise-jokes-top-gun-scientology-2023-oscars-1235349713/) and Avatar’s James Cameron apparently saw the writing on the wall and opted to skip the ceremony altogether — not the nicest thing to do when one’s studio has spent a fortune campaigning for one’s movie, when one’s colleagues are up for many awards, and when the Academy is desperate for big names to help draw viewers to the Oscars. A full half of the best picture nominees were completely shut out: Searchlight’s Banshees went 0-for-9; Warners’ Elvis went 0-for-8 (with lead actor Austin Butler’s loss probably partly the result of voters assuming that he will have more chances in the future than Fraser); Universal’s The Fabelmans went 0-for-7 (Steven Spielberg probably would have won his third directing Oscar and first in 24 years but for the Daniels); Focus’ Tár went 0-for-6 (lead actress Cate Blanchett was not helped by the fact that she already has two Oscars on her mantelpiece); and Neon’s Triangle of Sadness went 0-for-3. While the 95th Oscars was dominated by an indie distributor — out of 23 categories, A24 films won nine — it wasn’t a bad night for the streamers that are increasingly central to the business. Given the real-world popularity of this year’s top contenders — Top Gun: Maverick, Avatar, Elvis and yes, Everything Everywhere — I would be very surprised and, frankly, concerned, if this year’s ratings don’t tick up quite a bit from the last two. People in Ireland had plenty of reason to care about this year’s ceremony, too, given that five of the 20 acting nominees — four from The Banshees of Inisherin and one from Aftersun — and the team behind the eventual winner of best live-action short, An Irish Goodbye, all hail from the Emerald Isle. It’s especially remarkable that A24 — which previously backed one other film that went on to win best picture, Moonlight — managed to keep Everything Everywhere in the conversation for more than a year. Everything Everywhere — which has grossed $106.7 million, the most of any release of A24 Films ever — also exemplifies the strides that the Academy has made over the seven years since the second consecutive installment of #OscarsSoWhite. The film premiered at SXSW on March 11, 2022, and was then released in the U.S. on April 8, 2022; no eventual best picture winner had that early of a theatrical release since The Silence of the Lambs came out Feb. And A24 appears to have spent less on Everything Everywhere’s [President Janet Yang](https://www.hollywoodreporter.com/movies/movie-news/podcast-janet-yang-academy-president-oscars-2023-will-smith-1235348650/) — was [dominated by ](https://www.hollywoodreporter.com/movies/movie-news/2023-oscars-winners-list-1235349224/) [Everything Everywhere All at Once](https://www.hollywoodreporter.com/t/everything-everywhere-all-at-once/), a film that certainly isn’t for everyone, but apparently is for enough of the 10,000 members of the [Academy of Motion Picture Arts and Sciences](https://www.hollywoodreporter.com/t/academy-motion-picture-arts-sciences/) to prevail over formidable competition on the preferential (read: weighted/ranked-choice) ballot that the organization uses to determine its best picture.

March 13, 2023 6:38 a.m.. Directors ...

This was a year in which they didn't try much in terms of change; in fact, the goal seemed to be the most normal Oscars possible. At the same time, it was a reminder that while only a few years ago, Netflix was trying to wedge itself into the Oscars, it's now established a home there. It was perhaps the most utterly traditional choice they could have made in every way except for the fact that it's a film that's not in English. The film perhaps sneaked up on people, but as Oscar night wore on and it started to rake in prizes, including for score, cinematography, production design and international feature, the fondness that Academy voters still have for epic war sequences became perfectly clear. Some montages, a nice In Memoriam segment, an okay monologue, solid musical performances from Lady Gaga and Rihanna among others, and a return to theater seating after last year's cocktail tables and the train station set the year before. Perhaps it's fitting that Avatar won for visual effects and Top Gun: Maverick for sound — the spectacles won awards that relate, in part, to their status as such. That theory might turn out to be right or it might be wrong, but if this year didn't do it, then nominating big movies isn't a solution to the ratings problem as has so often been speculated. [Ke Huy Quan](https://www.npr.org/2023/03/12/1160156811/ke-huy-quan-best-supporting-actor-oscar-everything-everywhere-all-at-once) once found himself shut out of Hollywood after a big start as a child actor in movies like Indiana Jones and the Temple of Doom and The Goonies. The awards for supporting actor and supporting actress went to two very, very different "newcomers." But it's also part of the Academy's effort to revive interest in the ceremony after years of hearing the theory that the ratings were dropping because blockbusters weren't being nominated. What's perhaps most surprising is how many films that once seemed like strong contenders for major awards wound up getting completely shut out: Tár, The Banshees of Inisherin, The Fabelmans and Elvis all went home empty-handed. Of the 20 acting nominees across lead and supporting categories, 16 were first-time nominees.

Michelle Yeoh reacts in the audience with excitement as she accepts the award for best performance by an actress in a leading role for "Everything Everywhere ...

[Apple](https://fortune.com/company/apple/) TV’s “CODA” became the first streaming movie to win best picture. [Telugu action-film sensation “RRR,”](https://apnews.com/article/entertainment-india-4d04b6d032cabfc91b6d0beb6642c1ef) an intimate, impassioned performance by Lady Gaga of “Hold My Hand” from “Top Gun: Maverick,” and a Super Bowl follow-up by Rihanna. Meanwhile, the Writers [Guild](https://fortune.com/company/guild-instride/) and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for a possible work stoppage. “The Way of Water” won for visual effects; “Maverick” took best sound. “Thank you to the Academy for recognizing the superhero that is a Black woman,” said Carter. [best supporting actress](https://apnews.com/article/oscars-2023-best-supporting-actress-18481e06d1e3c03d337d100f10b9e382). Scheinert dedicated the award “to the moms of the world.” [an improbable Academy Awards heavyweight.](https://apnews.com/article/oscars-2023-best-picture-everything-everywhere-all-at-once-c6db5dc1477c28e2b9e41270a036ac12) The indie hit, A24’s second best picture winner following “Moonlight,” won seven Oscars in all. [former action star’s return](https://apnews.com/article/brendan-fraser-the-whale-darren-aronofsky-1b3e71f1022f11b26b764f238b421363) to center stage for his physical transformation as a 600-lb. The audience — including his “Temple of Doom” director, Steven Spielberg — gave Quan a standing ovation as he fought back tears. Jimmy Kimmel, hosting for the third time, pledged a ceremony with “no nonsense.” He said anyone who wanted to “get jiggy with it” this year would have to come through a fearsome battalion of bodyguards, including Yeoh, Steven Spielberg and his show’s “security guard” Guillermo Rodriguez. “Sometimes it’s a little scary knowing that movies move at the rate of years and the world on the internet is moving at the rate of milliseconds.

The A24 movie Everything Everywhere All At Once didn't just win Oscars, it dominated them. Inside the Academy Awards after-party, the industry took stock of ...

[Ride Wit Me](https://www.youtube.com/watch?v=RtSDWq6HsJE&ab_channel=NellyVEVO)” blared from speakers, the film’s Best Original Screenplay– and Best Director–winning duo, [Daniels](https://www.vulture.com/2022/04/everything-everywhere-all-at-onces-influences-explained.html) (Kwan and Scheinert), boogied up a few stairs to a narrow stage beneath a giant “Oscars 95” banner where engravers carved their names onto their new statuettes. [bellwether awards shows](https://www.vulture.com/2023/02/everything-everywhere-all-at-once-is-oscar-front-runner.html) in the run-up to the Oscars meant that more mainstream fare never had a fighting chance. “This was supposed to be the year ‘Movies are back!’” he said, echoing a rallying call that had gone out throughout the studio and theatrical exhibition communities since the spring. “So it was weird they gave everything to Everything Everywhere All at Once.” “This was the year a bunch of movies that made a lot of money that people actually went to the theater to see got nominated. Viewed that way, the night’s awards benediction was little more than a formality. But there was also a feeling of bloodlessness: that those of us feasting on Moroccan lamb cigars and Oscar-shaped salmon matzahs while traipsing the But less than two hours after the conclusion of the awards presentation, upstairs at the glitzy Governors Ball, the customary first after-party stop for assorted members of the entertainment Fourth Estate — including those newly possessed of Academy hardware — talk of dreams gave way to less aspirational industry summations. That is, for the speechifying of winners who’ve bucked Hollywood’s cultural assumptions and broken out of the industry’s career pigeonholing. To all of you out there, please keep your dream alive!” [Everything Everywhere All at Once](https://www.vulture.com/2023/03/everything-everywhere-all-at-once-oscars-history.html)’s record-breaking sweep of Oscars in almost every major category Sunday night, the 95th Academy Awards served as a triumphant showcase for self-styled underdogs with a mic. “Dreams are something you have to believe in,” said Best Supporting Actor winner [Ke Huy Quan](https://www.vulture.com/article/ke-huy-quan-everything-everywhere-all-at-once-profile.html) from the podium while fighting back tears.

The science fiction comedy, Everything Everywhere All at Once, was very successful at the 95th Academy Awards, receiving seven awards, which included the ...

[Daniel Kwan](/topic/daniel-kwan)and [Daniel Scheinert](/topic/daniel-scheinert), the writers and directors of " [Everything Everywhere All at](/topic/everything-everywhere-all-at)Once," are now multi-Oscar winners. Throughout the event, we also saw Jamie Lee Curtis receiving an award for Supporting Actress, both He also expressed his strong faith in the power of storytelling. Wang also took the time to thank his father, who passed away at a young age like many immigrant parents. The film had several wins throughout the night, and it was already a favorite prior to the event. [Wang](/topic/wang)went on stage, he expressed his gratitude to A24, acknowledging their support for their unconventional movie for an entire year in theatres.

The futuristic film from the studio A24 won seven awards, including for best picture, directing and in three of the four acting categories.

The Swedish filmmaker Ruben Östlund (“Triangle of Sadness”) and the British-born Martin McDonagh (“The Banshees of Inisherin”) were honored. “Top Gun: Maverick” collected $1.5 billion, and “Avatar: The Way of Water” took in $2.3 billion. [any women](https://www.nytimes.com/2019/12/12/movies/female-directors-oscars.html) in the best director category. In the days leading up to the Oscars, another in a series of rainstorms soaked Los Angeles, so much so that the academy sent an alert to the news media on Wednesday warning that it may “need to clear the carpet at a moment’s notice.” In the end, the weather cooperated, and it was a sunny 63 degrees. Jordan, the “Creed” star, and Pedro Pascal, who plays the title role in “The Mandalorian,” were prepared to intervene. This year, Sarah Polley (“Women Talking”) was left out even though her film was nominated for best picture. Carter also won for “Black Panther” in 2019.) “Never give up.” She was the first Asian woman to receive the award. So did the little-seen art films “Triangle of Sadness,” “Women Talking” and “Tár.” Voters also made room for a musical (“Elvis”) and a memory piece (“The Fabelmans”). [95th Academy Awards](https://www.nytimes.com/news-event/awards-season), they may mark it as the start of a new New Hollywood. Curtis was also in tears by the time she reached the fiery conclusion of her acceptance speech. They are both 35.) The film, which received a field-leading 11 nominations, also won Oscars for film editing, best actress and best supporting actor and actress, with Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis honored for their performances.