Bheed Movie

मुल्क ,थप्पड़ , आर्टिकल 15 के बाद अब निर्माता निर्देशक अनुभव सिन्हा अपनी फिल्म भीड़ से ...

फिल्म के संवाद कहानी को और प्रभावी बना गए हैं. अनुभव सिन्हा की यह फिल्म भी मूल रूप से सिस्टम पर चोट करती है. यह फिल्म इसी कहानी को कहता है. कई लोगों को फिल्म से यह शिकायत भी हो सकती है कि एक बार फिर से कहानी में जाति पर ज़्यादा फोकस कर दिया गया है. यह फिल्म मूल रूप से इसी कहानी को कहती है. भूमि ने अपने हिस्से की भूमिका अच्छे से निभा गयी हैं, लेकिन उनके किरदार के लव एंगल पर ज्यादा फोकस किया गया है. उसी दर्द से अनुभव सिन्हा की यह फिल्म एक बार फिर से रूबरू करवाते हुए दिल को छू जाती है. इस बार भी वह अपने अभिनय से अपने किरदार में अलग रंग भरते हैं.राजकुमार राव का काम भी प्रभावी रहा है. जिससे फिल्म की कहानी और ज़्यादा रियलिटी के करीब लगती है. फिल्म में कोरोना के दौरान हुई कई रियल स्टोरीज को भी इस कहानी में जगह दी गयी है. फिल्म की कहानी लॉकडाउन के दर्द को दिखाती है . मुल्क ,थप्पड़ , आर्टिकल 15 के बाद अब निर्माता निर्देशक अनुभव सिन्हा अपनी फिल्म भीड़ से कोरोना के दौर के उस वर्ग विभाजन की कहानी को सामने लेकर आए हैं ,जिसकी मिसाल आज़ाद हिंदुस्तान के इतिहास में कभी देखने को नहीं मिलती है.

MUMBAI: For the past few years, Anubhav Sinha has been directing social dramas. His movies like Mulk, Article 15, and Thappad were critically acclaimed and ...

It does have some hard-hitting moments, but clearly it had the potential to be a better movie. Also, the black and white effect was not required; a normal colour pattern would have been a better choice. In 2020, due to the corona virus outbreak, a lockdown was announced across the country.

Directed by Anubhav Sinha, Bheed stars Rajkummar Rao, Bhumi Pednekar, Dia Mirza, Ashutosh Rana, Pankaj Kapur and Kritika Kamra.

Bheed is not an easy film to watch and it does not shy away from showing the gut-wrenching reality of lockdown. It is a hard-hitting tale of the sufferings of migrant workers and it needs to be told. Bheed also sometimes shifts its focus from lockdown to caste discrimination and it does not add any depth to the storyline. Whereas, on the other side, we see the rich and powerful trying to bribe the police to pass the barricade. Bheed focuses on several characters including migrant workers, police, doctors, the upper class and politician and how they are stuck in the middle of nowhere during the lockdown. Starring Rajkummar Rao in the lead role, Bheed narrates the story of different characters and their sufferings when the lockdown was first announced during COVID-19.

The Bollywood movie 'Bheed,' shot in black and white by director Anubhav Sinha, stars Rajkummar Rao, Bhumi Pednekar, Pankaj Kapur and more, highlighting the ...

In a rather interesting scene involving Tikas and Sharma, Bheed shows how much that can impact even the most intimate relations, though, ultimately, the film is not able to communicate its larger point very clearly. Posts on social media promise that the government is in a huddle and discussing what relief can be extended to the millions who are trying to get home. After a somewhat jarring thriller type of twist, Bheed ends exactly as every man-made tragedy ends in India: With a hat-tip to the resilience of the poor. Also stuck at the border is a bus full of Muslims, a man related to an important, local politician and a woman (Dia Mirza) in an SUV, with her driver Kanaiya (Sushil Pandey) at the steering wheel. He has shot Bheed in black and white, which gives the film an artsy touch. There’s a point and purpose to this. Bheed focuses a lot on caste and caste-conflict. In this one, mass exodus and state brutality featured as if it were a result of a natural calamity, with the focus on how people behaved on-ground and not on how a decision taken at the top had a chilling effect. The police chowki on a kachha road seems to be set in some dusty dystopia. So there are announcements to wear masks, keep social distancing, and some basic testing of those with symptoms. The context was real and the harrowing scenes were part of India’s collective nightmare. The orders are simple: No one is to be allowed in.

With Bheed, Sinha touches upon the psychological trauma of caste discrimination.

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It is a deeply personal film that reflects Sinha's anguish and pain; it is as if the filmmaker has laid bare his bleeding heart.

But the cut version of the movie finds the restraint, and hence the poignancy, the subject deserves. There is misinformation doled out on WhatsApp, there is fear of the unknown, and there is desperation. It is also a commentary on the growing class, power, caste, and religion-based discrimination in modern India. Like Article 15, Sinha highlights the caste divide prevalent even in modern India but here the gaze is not of the upper caste man of privilege. Then there is the man he reports to, Circle Officer Subhash Yadav (Ashutosh Rana), and Ram Singh (Aditya Shrivastava), a man of a higher caste who is now made to report to him. And it sets the tone for what is to unfold in the next 114 minutes.